Category: Art

  • Inside Out: My Photographic Encounters with JR’s Global Art

    Inside Out: My Photographic Encounters with JR’s Global Art

    A cyclist blurs by a wall displaying a mosaic of black and white portraits by JR, part of a public art project on urban streets.

    In the world of contemporary art, few figures are as enigmatic and influential as the French artist JR. Known for his large-scale photographic installations that challenge perceptions and provoke conversations, JR has left his mark on walls and buildings around the world. Over the last seven years, I’ve been slowly collecting a number of his pieces, and recently, I jumped at the chance to participate in one of his renowned Inside Out projects in Geneva, titled “Hope Away From Home.

    Inside Out Geneva: Portraits of Resilience

    A white bus speeds past a black and white photographic mural by JR, featuring a grid of diverse faces on a stone wall in Geneva.

    The Geneva project was marked by the occasion of the Global Refugee Forum, which brought together state leaders and refugee community leaders to find lasting solutions for refugees and their host communities. The portraits of refugee community leaders attending the event were pasted on Geneva’s historical walls, which have provided protection and safety for people forced to flee from persecution for many centuries. 

    A man walking his dog in front of a van featuring the Inside Out Project by JR in Geneva, under a canopy of winter-bare trees.

    The project extended an invitation to passersby to have their portraits taken. Although my image didn’t make it up onto the wall, I was still able to participate, with the printout coming home with me instead.

    People gathering around a van with a giant camera lens facade by JR, part of the Inside Out art project in Geneva, with a large print of a woman's face being held by a participant."

    Exploring Other JR Works

    JR’s work extends far beyond the borders of Geneva. After truly discovering JR in 2018, when I bought a 99prints collaboration with Oliver Jeffers, my journey with his art took me to various locations, each telling a different story through his unique lens.

    liver jeffers and JR collaboration on 99prints.

    Inside Out Project: Nepal 2015 

    The earthquake of April 25th, 2015, was a devastating moment in Nepal’s history, claiming around 9,000 lives and leaving a trail of destruction. Yet, amidst the rubble and grief, there emerged a compelling narrative of resilience and unity, which I witnessed on a trip in November of that year. While JR wouldn’t fall onto my radar for another couple of years, I did capture his “Hope for Tomorrow” project, set against the backdrop of Swotha Square in old Patan, within the Kathmandu Valley.

    A street in Kathmandu, Nepal, with pedestrians and motorbikes, featuring a large building-side black and white photo installation by JR of many faces looking down.

    San Gimignano’s Rural Tales: Omelia Contadina

    While in the grips of COVID-19, I was lucky enough to be invited to San Gimignano by Galleria Continua in September 2020, to encounter “Omelia Contadina,” a project that highlights the struggles of small farmers in Italy. Watching the project live was not just a visual spectacle but also a powerful social statement, intertwining rural life and art in a poignant narrative. Discover a selection of images from that project.

    A photographer crouches to capture a moment in the streets of Tuscany during JR's "Omelia Contadina" project, with onlookers holding a large canvas.

    The Parisian Gaze: JR’s Iconic Eyes

    Paris, JR’s canvas and playground, is home to some of his most iconic works. Leaving Paris by train offers the chance to capture the larger-than-life eyes that gaze at those passing through. These installations are more than art; they are windows into the soul of the city.

    Giant black and white eyes on industrial storage tanks, photographed from a moving train, showcasing JR's iconic eye-centric art installations.

    A Personal Milestone: Proposal at Clichy-Montfermeil Chronicles

    A person's hand touches a collage of black and white images by JR, depicting various scenes of social life and protest, creating a tapestry of human experiences.

    Perhaps the most personal encounter with JR’s art was proposing over breakfast while arranging the 93 cards that came as part of a box set focusing on JR’s “Chroniques de Clichy-Montfermeil” installation. The story has a bit more background to it, but at a high level, we arranged the cards from the artwork, creating a unique setting for a question with lifelong consequences. This artwork, which depicts the life and resilience of the suburbs of Paris, became the backdrop of our own life-changing moment—and is now framed above my sofa.

  • ADD FUEL at Underdogs Gallery, Lisbon

    ADD FUEL at Underdogs Gallery, Lisbon

    20210524_WorldBookDay_DSC00417.jpg

    I was lucky to catch the final day of ADD FUEL’s solo show, Chronos Redux at the Underdogs Gallery, when I visited Lisbon the other week.

    Despite this being my first visit to the Portuguese capital, I’ve closely followed Underdogs for the last few years, getting to know some of the artists they represent and getting weighed down after buying the 608-page behemoth that is Vhils Pentimento.

    Lisbon is like an open-air gallery, and Underdogs has a lot to thank for that as they aim to establish a close relationship between the artists they work with and the city of Lisbon. Through the Underdogs Art Programme and coinciding with the show’s launch, ADD FUEL had transformed a city wall with a giant mural in his signature style of familiar Portuguese tile design.

    Add Fuel (2020), Rua da Senhora da Glória 79.

    Add Fuel (2020), Rua da Senhora da Glória 79.

    Add Fuel is Portuguese visual artist and illustrator Diogo Machado (1980). He interweaves the art of azulejo — painted ceramic tilework characteristics of Portuguese architecture — with visual references from pop culture, comics, animation, sci-fi, and graffiti. The attention to detail in the blending of traditional and contemporary elements is remarkable.

    20210522_WorldBookDay_DSC00355.jpg

    20210522_WorldBookDay_DSC00356.jpg

    With it being the show’s final day, a little orange sticker accompanied almost all of the original pieces — a sign that the many art buyers agree with me about his work’s quality. Still, I was fortunate to acquire In Permanence, a steel-cut stencil on a marble base that the gallery held in stock. I would love to try and get some of his tile designs. They’re really quite remarkable.

    ADD FUEL (2020), IN PERMANENCE (STENCIL)

    ADD FUEL (2020), IN PERMANENCE (STENCIL)

    Add Fuel (2021), Rua Nova do Carvalho, 29.

    Add Fuel (2021), Rua Nova do Carvalho, 29.

    Other street art around Lisbon

    20210522_WorldBookDay_DSC00345.jpg

    Portuguese visual artist Alexandre Farto aka Vhils, can be seen all around Lisbon. You discover many of his works as you pass through the small streets, including right next to my hotel (the Memmo Alfama). If you aren’t aware of his style, check out this video below that offers a fantastic insight into his work using non-conventional tools and techniques, from stencil painting to wall carving, pyrotechnic explosions, and video installations.

  • Never mind the Ever Given: JR captures shipping containers in their best light

    Never mind the Ever Given: JR captures shipping containers in their best light

    Ballerina jumping in shipping containers JR Le Harve

    The Ever Given is finally free after blocking the Suez Canal for the best part of a week, causing a traffic jam of up to $9 billion a day in global trade.

    As I was drinking my coffee this morning and thinking about a situation where a ship capable of carrying up to 20,000 containers can bring the trade routes to its knees, I realised that one of my favourite JR pieces uses shipping containers as a canvas fit for a ballet dancer.

    The ballerina jumping in containers was from a series of photographs JR shot with dancers from the Paris Opera Ballet at the Port of Le Havre in 2014. Once the Suez drama starts to fade away, I’ll be happy to be left with this beautiful artwork.

    JR corner at home. Ballerina jumping in containers and ballerina in crate

    JR: Omelia Contadina, San Gimignano, Italy

    In other JR news, I was lucky enough to catch him lead a performative event with Alice Rohrwacher in San Gimignano last year. Check out the images of Omélia Contadina here.

    JR Omelia Contadina

  • Digital innovation and online viewing rooms: takeaways from the Art Basel and UBS Global Art Market Report 2021

    Digital innovation and online viewing rooms: takeaways from the Art Basel and UBS Global Art Market Report 2021

    Exterior of Messeplatz during Art Basel 49

    It doesn’t surprise me to read that the global art market dipped 22 percent year-on-year, to $50.1 billion this year. These are the findings of the latest art market report, an annual global art market analysis published by Art Basel and UBS today for 2021.

    I read the highlights of the 2020 report on a plane ride to Tefaf, just days before Europe went into a lockdown due to COVID. Tefaf itself would close its doors early after that opening weekend. Following March, the art world felt it, with more than half of art fairs cancelled (61 percent), providing dealers with just 13 percent of their revenue.

    Noah Horowitz, Director Americas, Art Basel, said in the Director’s Foreward that, “The telltale finding of this year’s report is the tremendous ascent of online sales, which doubled in value from 2019 to 2020, accounting for one quarter of total sales.”

    Digital innovation as a result of COVID comes as no surprise. Art fairs scrambled to bring technology in development to the public in a much quicker timeframe as anticipated. While I found visiting Online Viewing Rooms (OVRs) a novelty, I can’t wait to be face to face with the artwork once more. I’m not alone; more than 80 percent of collectors intend to return to art fairs in 2021.

    A few of my thoughts as I settled down to visit OVRs during COVID

    A few of my thoughts as I settled down to visit OVRs during COVID

    Five additional takeaways from the art market report:

    1. Online sales exceeded bricks-and-mortar galleries for the first time. Online sales doubled to a record high of $12.4 billion, accounting for an all-time high of 25 percent of the market’s overall value, up from just 9 percent in 2019.

    2. 66 percent of high net worth individuals’ interest in collecting grew because of the pandemic, and 32 percent say it grew significantly.

    3. Millennials are the biggest spenders. More than a third (38%) spent over $1 million.

    4. Women outspent their male counterparts, with their median expenditure rising 13percent.

    5. Collectors switched to a conservative purchasing strategy in 2020, with nearly a half (46 percent) focused on galleries they had bought from previously.

  • Oliver Jeffers: The number Pi to three hundred and twenty nine digits

    Oliver Jeffers: The number Pi to three hundred and twenty nine digits

    3.14159265358979323846264338327950288419716939937510582097494459230781640628620899862803482534211706798214808651328230664709384460955058223172535940812848111745028410270193852110555964462294895493038196442881097566593344612847564823378678316527120190914564856692346034861045432664821339360726024914127372458700660631558817488152092

    The number Pi to three hundred and twenty nine digits, by Oliver Jeffers.

    I have a few Oliver Jeffers artworks around the house, and each Pi Day, my focus turns to this one.

    Happy Pi Day!